
Martin Riseley returns to the Robbins Lighter Classics series to play a dazzling array of his favourite "party pieces." From the lyricism of a quiet Gershwin song to the dashing display of a playful Tchaikovsky waltz, this will be a journey - and an evening - to remember.
Program to include:
Saint-Saens: Havanaise
Gershwin: But Not For Me
Tchaikovsky: Valse-Scherzo
Wieniawski: Polonaise Brillante
Kreisler: Tambourin Chinois
Khachaturian: Violin Concerto (Third Movement)
$69 Dress Circle (A)
$59 Terrace (B)
$51 Orchestra (C)
$38 Upper Circle (D)
$28 Gallery (E)
$20 Orchestra Front (F)
(click map for interactive version)
Tickets subject to applicable service charges.
Thank you to the generous supporters of this series: Bill & Mary Jo Robbins
Thank you to our media sponsor: 
The next Robbins Lighter Classics performance is February 25, 2010.
Program to include:
Dvořák: Carnival Overture (9')*
Saint-Saens: Havanaise (10')*
Márquez: Danzon No. 2 (10')*
Khachaturian: Violin Concerto (Third Movement) (9')*
Tchaikovsky: Valse-Scherzo (6')*
Kreisler: Tambourin Chinois (4')*
Gershwin: But Not For Me (4')*
Wieniawski: Polonaise Brillante (4')*
*Indicates approximate performance duration

Bill has been playing piano since he was five when his parents bought a Wurlitzer Grand piano at a garage sale. He started conducting during his sophomore year at the Eastman School of Music, and most of the '80s were spent trying to decide whether to pursue a career in conducting or piano. The quandary was answered for him when he realized that the life of a poor, starving pianist was for the birds. In 1989 Bill decided to study conducting with Dan Lewis at the University of Southern California, from whence he managed to land assistant conductor posts with the Chicago Symphony and the Minnesota Orchestra in 1992.
Bill has many non-musical hobbies including: cooking, eating, discussing food, and planning dinner parties. He is also quite fond of biking, tennis, reading, and pinball. Unfortunately, due to pianistic paranoia his days in the martial arts are long over.
Bill is committed to bringing classical music to the greater public. He has started a podcast – Classical Connections – which is dedicated to exploring the history of classical music and highlights live chamber music performances in which Bill has taken part (check it out for yourself at Bill Eddins' website). He has also produced a solo piano CD – Bad Boys, Volume I – which features Beethoven's "Hammerklavier" Sonata and Albright's Nightmare Fantasy Rag. His latest recording, on the Naxos label, features American music for cello and orchestra.
Coming Soon!
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